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. National office for the communications sociali.it national Service for the cultural plan Circ. To meet itself in order to listen to Vittorio Sozzi. Venice 64, the cinema between truth and menzogna Maximum Giraldi. Agorà of the young people and communication Umberto Folena. Decennial of Religion Today the film festival. 10 residential Encounter e-learning to Rome open Yard. 15 Radios inBlu: to the way the new Acer programming buys Gateway. 17 XXV Conference of the Fnsi in Puglia a day for the freedom of Orange press goes to Deutsche Telekom the selective abortions. 18 the "Fontanas of the light" Nominations in Vatican the embryos "laici chimera" Fondamentalismi and regimes Dictionary of computer science and inglese/italiano multimedialità. 29 residential Encounter e-learning "Entertainers of the Communication and the Culture" Rome, 31 October-4 November 2007. the 8 facts of the month on the press. In the first place the experience has been characterized from the will to give expression to that dynamics of encounter that was the objective of the first year of the way. This style of I listen is fundamental for a Christian community that it knows of being called to spend a lot for the announcement of the Gospel. In such perspective the questions turned from the young people to the Saint have turned out authentic Padre, but also the received impegnative answers. To be from the part of the person does not mean to hide them that that for its good it is true, also when this contrasts with the common mentality. This would have to be the more meaningful outcome of the appointment as soon as lived and that is not only worth for the juvenile member, but for the entire Christian community. * Vice president of the Italian Committee for the Support to the Initiatives of juvenile Pastorale (CISIP). France, Italy, England, Spain, Russia and then Japan, Egypt, China. You attend have been the coproductions, to demonstration that today a film, even if speaks about a specific truth, is the fruit of a job that is involved subjects of various origin. The director and its experts continue of the rest to act more for ` aggiunta' that for ` sottrazione'. From the Extension of Venice us every year that as says to us, in synthesis expects, it is the cinema. Also for these reasons, to Sokurov the prize Robert Bresson, assigned from the Foundation has gone this year Agency of the Show. Angel Drains, Patriarch of Venice, and withdrawn from the same director who has shown sobria but evident commotion. Here then some topics that are emerged from the main selection. The war of the United States, the strong critic against the war ` necessaria' (indeed not). Moved, dirty, fragmentary images: they would have to increase the rate ` realismo', to the contrary diminish it. Q uella that september has been carried out from 29 past August to the 8 has been 64esima the edition of the Extension of. It could not but be forgotten that before it has been kept effectively in 1932. Suspended in the years of war and, later, in the period of post ' the 68, the Extension has caught up therefore the 75 years of age. The Lion of Gold has gone for the second time in three years to the taiwanese American Ang Lee for the Lust film, caution. Verdict received in contrasted way, is true that it often happens but stavolta the film is not appeared just the best one. Corposa, intense selection however, incisive batch processing line but. Very six films Americans have marked cross-sectionally the program, intersecting themselves with coming from proposals give. It seems nearly that between parents and sons all it is from (ri)costruire, but often the closings are more than facade that than conviction. Perhaps the first one and according to topic can find just synthesis in the third party, the identity. Here the true one scoglio of this beginning of the Millenium. The just one straight to assert if same, to acknowledge in a sign, a symbol, a collectivity it leave from legitimate requirements but it risks to generate uncontrollable situations.) tito it sarcastico Ken Loach its new indictment against the exploitation to London of the coming from labor from the East Europe. The serpeggianti lights and shadows in the angles of the social life, of the occasions of encounter, the changes of habits find punctual reply in many veneziani films. Restless, the impending one, cynical relationship between truth and menzogna. He is what us interpella all, without distinctions. The cinema, placing itself like place of synthesis between television and other territories of image, sends back without pause this question mark. And, also when treacherously capture our consent, succeeds in dirci that a film is beautiful if the eye that is placed behind the m.p is cleaned up, clears of prejudgments, opened to the understanding and to it wants to improve. She succeeds when the truth prevails on the menzogna. Journalist, Secretary National Commission Appraisal Film. C iò that it has happened to Loreto first of September cannot pass unnoticed. An event from the great numbers always risks to only become a great festivity in which forgiveness of sight the purposes and the contents, object to it to you to catch up. It risks to become a picture sfuocato from the faded contours. In this occasion it has not been therefore. The great attention given to the symbols and the words, above all in the domenicale liturgy, has made yes that this became the center and the apex of the encounter (from the omelia of Benedict XVI to Loreto). In a period in which we are accustoms to you to stir any thing, indifferently to put all entirety in the attempt of being more "modern" and winning, the encounter of Loreto represents an instruction. The encounter of Loreto has held faith to this thought. It has not been a sfarzoso event, tutt' other. The young people have one natural predisposition to aspire to great things, to nourish in deep the great dreams. The words of Benedict XVI have been listened in Hush a surrealistic one for one platea of 500 mila boys. Clear words, formers, colme of null grace and for obliging. Words that recalled to the engagement, humility and the service. Nevertheless those words have been tried. And it is sure that those words, for everyone in the most particular way, will carry fruit. From always the art it is the one who that the beauty of the creation of God sings, the one who that, thanks to it, it tries to approach itself He Without to enter in the details, the serale waking, but also all the other moments, have brought to light an aspect center them of the Christian culture. The art is one of the more effective means in order to communicate the faith. It is today, even if it is sure more difficult to trace examples than true Christian art. That that it counts is that the days to the flat one of Montorso have opened also in this one road. The communication of the faith through the beauty is more effective how much can be in order to introduce us the Christianity. In the symbols traced from the artist in search of God one hides, in bottom, the experience of every man. The art is in a position to making living the Christian experience more than thousand conventions. It is, to its way, testimony, provocazione, prayer, reflection. The Christian culture alive of its art. Nobody of we ignores these moments talora secrets, and that it is given to us to understand only much later that they are happened "(Michel De Certau). In the life of those 500 mila young these days have placed one breach, a privileged moment. These young people, perhaps, if of it they will render single account between some year. They will remember Loreto like an extraordinary moment in which something, in everyone of they, it is changed. * Megaphone of the National Forum of the young people ours is an age that lives of events, that it daily has need of the straordinarietà and the sensazionalismo. A society that lives of clamour and of urla. The true challenge of all these young people will be their return to house and their engagement in the quotidianità. In the end the vicissitude of Christ will grow in Hush of Nazareth and thanks to humility of Maria, as Benedict just XVI to Loreto has said. And it is here that it is, perhaps, the true innovation of these days. But in the beautifulr sense that this term can assume: one of the stages privileged of the spiritual distance of everyone of we. "there are in the personal history, and in the history of the humanity, of the breaches, moments it privileges to you and that they appear as such iascuno of we has a dream to realize, everyone of we has something to say. Boys, fatevi to rapire from your ideals. Adrian Celentano, will pronounce in chorus the readers. He is father Giancarlo Boxwoods, the missionary of the Pime remained for 39 days in the hands of its kidnappers in the Philippines. If it had not been kidnapped, it is probable that it would be remained ignoto to more, like the overwhelming majority of the missionaries and the missionaries like he lando of the waking of the first september on the smoothed one of Montorso, of the Agorà of the young people, the long one directed of Raiuno. A great pastorale event and also a great mediatico event. It is possible that a great pastorale event possesses the language and the times of the television. It is much difficult one but it is not impossible, as Loreto has demonstrated. The ingredients on measure, the just sensibility are necessary, the witnesses adapt to you, the perfect personages. Because Boxwoods - and the girl - were perfect, better anchor than a Celentano. Because they were true, totally true. and the context, the story, the direction has known to show that null truth without adding, without null removing. Father Boxwoods is accustomed to preach. but to Loreto he has not preached. It celebrates liturgies, and the liturgies can to times be spectacular. but it has not made show. What it said it lived on its skin. Ended to say it, it would be returned in its parish in the Philippines and goodness knows when we still feel to speak about he. Father Giancarlo Boxwoods was instead most obvious that nothing if the Gloria of God is not intentional of the courage in order to put it here, alone seated did not celebrate on the steps, under a bundle of light, with million eyes tip to you leans. We presume without a test, without a thread of trick, a text prepared from authors is annoying to you. The long introduction would want to demonstrate like the difficult alchemy, that it allows faith and tv to meet itself without to arrange disasters, has need of talent and courage. The numbers, through the bulletin of the Auditel, the day after gave reason to RAI: 3 million 116 mila viewers, 20.35% of share, followed program more of the evening. Numbers record, in the late afternoon, also for To its image (1 million 771 mila, 21.50%). Fat person writes: it has been before the time. The true one carried out was the 9 september 1995 always lì, to Montorso, to EurHope, same platea of young people, other directing on Raiuno. Pope Wojtyla knew itself that bucava the screen. But until then the television cameras they had been discreet hosts. They had been limited to record the events, without to dictate of to the times and the contour. Slid the first september the tv has had the confirmation that also Pope Ratzinger is a "product" that works. The important is that every respects the other: the Church respects the television language, and the tv it respects the language of the faith. If that happens, a father Boxwoods can work like Baglioni and From, beside they, even better than they. For before he turns the boys who expressed themselves in front of the Pope seemed to have (or to want it to have) confidenza with the tv. For who it has followed the long one directed of Raiuno, the particular one of the new one look of Loreto has been evidenced for a singular contrast. While the young people were many tasks and seemed -- they read however something of prepared -- Benedict XVI answered to arm, for null taken care of the shape and the shapes. And siccome the topics from he touch to you, from the incitamento not to never stop to dream to the monito one against the love, were extremely interesting and deep, young, most informal, more they clear up seemed just he. And also this is a beautiful lesson of which holding account. (Fat Aldo, "Courier of the evening", 2 september) I.